Detail from Canone Aureo, 2016
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
El Anatsui, Focus, 2015.
Aluminium and copper wire, 284 x 304 cm.
Edited by Nicolas Serota, 2008
From the book Why Cy?, by Tacita Dean
Julie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Agnes Martin, ‘Little Sister’, 1962
Research Proposal: Unravelling the Feminine Line:
The Art of Undoing, Reclaiming, and Redefining Feminine Expression
Detail from Canone Aureo, 2016
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
El Anatsui, Focus, 2015.
Aluminium and copper wire, 284 x 304 cm.
Edited by Nicolas Serota, 2008
From the book Why Cy?, by Tacita Dean
Julie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Agnes Martin, ‘Little Sister’, 1962
Research Proposal: Unravelling the Feminine Line:
The Art of Undoing, Reclaiming, and Redefining Feminine Expression
Julie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Detail from Canone Aureo, 2016
Read MoreHugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
Read MoreEl Anatsui, Focus, 2015.
Aluminium and copper wire, 284 x 304 cm.
