Ruth Buchanan, He ārai whakapapa, he matapihi ki te ao | Priorities, whakapapa | Or, Door, window, world…
Most Certainly Not Waiting…..
Carol Ann Duffy, “Penelope”, The World’s Wife : Poems.
Work in Progress, unprimed canvas.
Nappe 2 & 3, spray paint, acrylic, dye on canvas
Tapis 2, Sept 2025 - dye and spray painting on canvas.
Robert Rauschenberg, Bed, 1955
Oil and pencil on pillow, quilt, and sheet on wood supports.
Marcel Duchamp, Fountain, 1917.
Detail from Canone Aureo, 2016
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
El Anatsui, Focus, 2015.
Aluminium and copper wire, 284 x 304 cm.
Edited by Nicolas Serota, 2008
Ruth Buchanan, He ārai whakapapa, he matapihi ki te ao | Priorities, whakapapa | Or, Door, window, world…
Most Certainly Not Waiting…..
Carol Ann Duffy, “Penelope”, The World’s Wife : Poems.
Work in Progress, unprimed canvas.
Nappe 2 & 3, spray paint, acrylic, dye on canvas
Tapis 2, Sept 2025 - dye and spray painting on canvas.
Robert Rauschenberg, Bed, 1955
Oil and pencil on pillow, quilt, and sheet on wood supports.
Marcel Duchamp, Fountain, 1917.
Detail from Canone Aureo, 2016
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
El Anatsui, Focus, 2015.
Aluminium and copper wire, 284 x 304 cm.
Edited by Nicolas Serota, 2008
Ruth Buchanan, He ārai whakapapa, he matapihi ki te ao | Priorities, whakapapa | Or, Door, window, world…
Julie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Research Proposal: Unravelling the Feminine Line:
The Art of Undoing, Reclaiming, and Redefining Feminine Expression
Work in Progress, unprimed canvas.
Read MoreTapis 2, Sept 2025 - dye and spray painting on canvas.
Read MoreJulie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Read MoreAgnes Martin, ‘Little Sister’, 1962
Read More
