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Ruth Buchanan, He ārai whakapapa, he matapihi ki te ao | Priorities, whakapapa | Or, Door, window, world…
Julie Mehretu, Empirical Construction, Istanbul, 2003, ink and acrylic on canvas, 10 x 15’
Research Proposal: Unravelling the Feminine Line:
The Art of Undoing, Reclaiming, and Redefining Feminine Expression
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
Hugo Koha Lindsay
Script no 8. reordered and annotated, 2025
graphite compound and synthetic polymer on cotton duck
1390 x 1520mm
Robert Rauschenberg, Bed, 1955
Oil and pencil on pillow, quilt, and sheet on wood supports.
Medusa, marble sculpture by Gian Lorenzo Bernini, 1630; in the Capitoline Museums, Rome.
Titian. “The Flaying of Marsyas.” Oil on canvas, 212 cm × 207 cm (83 in × 81 in), 1570. Olomouc Museum of Art – Archdiocesan Museum. Kromeriz, Czech Republic.
Research Proposal: Unravelling the Feminine Line:
The Art of Undoing, Reclaiming, and Redefining Feminine Expression
Ruth Buchanan, He ārai whakapapa, he matapihi ki te ao | Priorities, whakapapa | Or, Door, window, world…